180 Riverside Drive, NY NY 10024 エンボス黒厚紙ジャケット地に貼り紙 MONO

180 Riverside Drive, NY NY 10024 エンボス黒厚紙ジャケット地に貼り紙 MONO

180 Riverside Drive, NY NY 10024 MONO

Recorded at Mirasound Studios-NYC 9-25-64. Handpainted labels.

180 Riverside Drive, NY NY 10024 MONO "STEREO" stamped out and replaced with "MONO" below.

180 Riverside Drive, NY NY 10024 STEREO

180 Riverside Drive, NY NY 10024 STEREO

First stereo pressing with handwritten label design, 180 Riverside Drive address on back cover, no catalog number written on front cover, and Plastylite stamp in runouts. Recorded at Mira Sound Studios New York City, on September 25, 1964.

180 Riverside Drive, NY NY 10024 白地ジャケットに貼り紙 MONO

180 Riverside Drive, NY NY 10024 MONO

Early repress with 156 Fifth Ave. on labels and typewritten text, used beginning in 1966. Recorded at Mirasound Studios-NYC 9-25-64

180 Riverside Drive, NY NY 10024 STEREO 白地ジャケットに貼り紙

Early repress with 156 Fifth Ave. on labels and typewritten text, used beginning in 1966. 'Stereo' written on both cover and labels. On the label the word 'blues' is "handwritten" (track B2). 156 Fifth Avenue, NY NY 10010 STEREO

156 Fifth Avenue, NY NY 10010 STEREO

290 West End Ave, NY NY 10023 STEREO

Repress with 290 West End Ave. on labels, used beginning in 1973. 'Stereo' printed on both cover and labels.

Debut album recorded in 1964. Four tracks, including "Decision For The Cole-Man" (Ornette Coleman suggested that ESP make the recording). With Allen on alto sax, Maceo Gilchrist on bass, and Ted Robinson on percussion."

Bernard Stollman: "Like all ESP sessions, before and since, the artist laid down his compositions, dictated their editing sequence and left. The time required rarely exceeded two hours from start to finish."

BYRON ALLEN recorded his ESP album at the Mirasound Studio in midtown Manhattan, on the afternoon of September 25, 1964. Alfy Wade was the engineer who would also record the PAUL BLEY QUINTET (ESP 1008) a month later.

(ESP-Disk')