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156 Fifth Avenue, NY NY 10010
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Recorded in concert, October 8, 1966 at Instituto Di Tella, Centro de Experimentation Audio-Visual, Buenos Aires, Argentina. First catalog number on cover, second on labels. Label printing in red above Steve Lacy photo. |
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156 Fifth Avenue, NY NY 10010
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Recorded in concert, October 8, 1966 at Instituto Di Tella, Centro de Experimentation Audio-Visual, Buenos Aires, Argentina. Cover painting 1963, collection of Carol Thomspon, N.Y. All compositions © 1967 Label printing in white across Steve Lacy photo. |
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156 Fifth Avenue, NY NY 10010
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Recorded in concert, October 8, 1966 at Instituto Di Tella, Centro de Experimentation Audio-Visual, Buenos Aires, Argentina. Cover painting 1963, collection of Carol Thomspon, N.Y. All compositions © 1967 Label white print on purple across Steve Lacy photo. |
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Recorded in concert, October 8, 1966 at Instituto Di Tella, Centro de Experimentation Audio-Visual, Buenos Aires, Argentina. First catalog number on cover, second on labels. Compatible Stereo. Printed in U.S.A. Label variant. Compare with: Steve Lacy - The Forest And The Zoo Steve Lacy - The Forest And The Zoo and Steve Lacy - The Forest And The Zoo Runout etching suggests possible release date of 1974. |
In 1966, the late Steve Lacy visited the new ESP-DISK' office at 156 5th Avenue with a master tape of his concert in Buenos Aires with his quartet, Louis Moholo, Enrico Rava and Johnny Dyani. He offered to sell the master for what I thought was an exorbitant price. I bought it. This LP was released featuring a reproduction of a painting by his friend, the late Bob Thompson, who had died before obtaining recognition. In 1992, the master tape was brought to engineer Ken Robertson at the Sony Studio, who observed that it had been recorded out of phase, and he corrected the phasing. - Bernard Stollman
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Steve Lacy: soprano saxophone |
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All compositions by Steve Lacy (Syndicore Music BMI) Credits Recorded in concert, October 8, 1966 at "Institute Di
Tella", Buenos Aires, Argentina. Engineered by Fernando Von Reichenbach.
Assisted by Walter Guth. Original cover painting by Bob Thompson, 1963. From the
collection of Carol Thompson, N.Y. Digital remastering by Douglas McGregor.
Design & layout by Miles Bachman & Peov. "As a recording of an important figure getting further out than before, as a document of a band that was short-lived but remarkable, and as a debut by a future force in trumpeting, this is a highly important record." - The Daily Jazz "The musical interaction that takes place over 40 minutes here is compelling, fraught with openness and the willingness to explore the margins." - Thom Jurek, All Music Guide |
(ESP-Disk')
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