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The fourth album
from the Hungry March Band is a 13-track manifesto of the brass band as social
utopia.
What are the mathematics of paradise? What algorithm, when
followed to excess, is guaranteed to produce not just astonishment, but an
existential division of Before and After? Or, even trickier, what magic
combination will lift the moment out of its ordinary context just long enough to
make the wedding stick, or bury the old friend, or change the attitude at a
demonstration, and meanwhile always seduce the audience? Surely one such
algorithm involves a bunch of horns and drums pounding out a set of vibrations
so complicated, yet so catchy, that a guarantee of total transformation is not
only possible, but unavoidable!
This may sound like a tall claim, but it
is the only reasonable explanation for why the Hungry March Band remains in
constant demand on their home turf in New York City, a place where every nook
and corner already resonates with the machinations of symbolic capital. The
marvelous inefficiency of the Brass Band, and the studied surrealism of the
Hungry March Band in particular, are a secret tool for the production of
momentary paradise, perfectly captured in Portable Soundtracks for Temporary
Utopias.
Kris Anton |
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"the Hungry March Band, NYCfs finest guerrilla
ambulatory |